This all said in the title ... do you think?
Saturday, December 13, 2008
What Is The Thickness Of A Texas Drivers License
SOMB (From the series artwork with photographic background to step faster and is shocking)
This all said in the title ... do you think?
This all said in the title ... do you think?
Monday, November 17, 2008
Color Chart For Mood Bracelets
a stumble, ANY GIVEN IN THE LIFE ...
This is a cartoon found in BILLIKEN last year, which (I think rightly) did not accept, nor threatened to blow up the building ... finally, some other time. 
This is a cartoon found in BILLIKEN last year, which (I think rightly) did not accept, nor threatened to blow up the building ... finally, some other time.
Homemade Master Bater
VEO VEO, WHAT YOU SEE? ONE THING WHAT ELSE?
Je! creative way to communicate that this is an illustration for a story of superhero cinema releases for the famous publication of cult
Runescape Mastercard Gift Card
POST-A POST-A! (This post is dedicated to the memory of EMILIO LOPEZ, a large ...)
not wrong, I hope that works for memory and remember to enter this blog and leave a comment ... 
not wrong, I hope that works for memory and remember to enter this blog and leave a comment ... Saturday, November 1, 2008
Tuesday, September 30, 2008
How Much Is The Creator Yugioh
CONVERSATION (which is not the same as chat)
FLEA: "Listen, Peki," here there was a lot of pictures of Muñekita komo us? Where do they go? -
Peki: - Ahhhh, FLEA that ignorant is you, the site has certain limitations, to get to the bottom, and hit "older posts" , will be visiting previous pages, as its name implies,
oldest ...- FLEA: - Fortunately, I trankiliza ... 
FLEA: "Listen, Peki," here there was a lot of pictures of Muñekita komo us? Where do they go? - Peki: - Ahhhh, FLEA that ignorant is you, the site has certain limitations, to get to the bottom, and hit "older posts" , will be visiting previous pages, as its name implies,
oldest ...- FLEA: - Fortunately, I trankiliza ...
Monday, September 15, 2008
Sample Of Greetings Speech
by popular demand ... LETS GO OF TAPAS, KIDS!
Well, here I am again, it shows these covers I did for "lapublicacionquesigosinnombrarparaquenosecorte" . I hope it n enjoy it, and if not too much trouble, let me know, and remember, "What is not, can become, as you see, they treat you, and if you look bad, you get bullied (Tinaire Mirtha Legrand) . NOS
VEMOSSSSSSSSS ... 
Well, here I am again, it shows these covers I did for "lapublicacionquesigosinnombrarparaquenosecorte" . I hope it n enjoy it, and if not too much trouble, let me know, and remember, "What is not, can become, as you see, they treat you, and if you look bad, you get bullied (Tinaire Mirtha Legrand) . NOS VEMOSSSSSSSSS ...
Friday, September 12, 2008
Draft Leter Fortelephone Line Disconeticon
memory / memory
Quintana - Chile
second year of the meeting, the second version of a dream, an initiative created to "pulse", which seems to begin to define their identity, for at least a third version.
This year unlike the past, the festival lasted two weeks and consisted of two themes: DanceAbility the first week and the second contact improvisation. The presence of danceabiliti and I leave myself as speech, say: "Dancing with the resources they possess, no disability or disabilities, if not different capacities, different capabilities to resolve what has to be done", that and the reflection a colleague asked me in a conversation, planted in me a question: Do we want
encounter Dance + DanceAbility contact improvisation, is a festival oriented and affordable only to dancers, actors, body workers and those who can afford the registration fee?
From my perspective ... no.
I think our duty as people linked to the development, exploration, questioning and dissemination of artistic expression, is to make available these initiatives to those that our culture leaves off. It is our responsibility not to become an elite, if not in a community that creates open space in decentralizing this busy "practice" (make jams in gyms, parks or other, in areas of the city where social risk). Work on the creation of workshops around the capital and beyond, interested in sharing the beauty we experience in dance, to be available to anyone interested, regardless of ethnicity, social class, physical or mental condition.
The second year brought us many dance festival, new faces, energies and friends, more experience, and teachers who had accompanied us, new teachers like Gabriela Morales and Alito Alessi and of course a very physical sensation, something of a fatigue successful ... thanks to all who participated and made this second meeting.
DanceAbility I think is part of a revolution in our understanding of ability and disability of the body, ability and disability of people.
All bodies are able to speak. All bodies communicate. All bodies speak. DanceAbility is about allowing your body talk, let your body listen. They are simple things. Simple and magical. What are our true limitations? Where are they? To DanceAbility, are only in isolation. When we isolate ourselves, we limit ourselves. When we communicate, we gain the power of the entire community. It is a great network. When we build this network, we all have power of all the capabilities of the entire community. Mariana Carriquiry
- URUGUAY
AM SABINA AND I THINK YOU HAVE DISCOVERED THAT THE MOVEMENT CAN EXPRESS much as a glance.
REMEMBER THE FIRST WEEK OF THIS YEAR 2009 with deep joy, I FEEL THAT DRAW A SMILE ON MY FACE AFTER A DEEP BREATH. ME CUESTA
put into words But I feel that my movements are in complete harmony with my inner or my spirit.
FEEL THE CONNECTION TO BE GIVEN TO THE GROUP NOT KNOW IT WAS SMOOTH AND VERY REWARDING. FULL TUNING BETWEEN THIS
OUR INTERIOR IS GREAT WITH OTHERS.
FEEL LIKE OUR BEST DANCE CHEMICAL DOSING, EVERY ONE OF OUR FEELINGS AND ALSO MAKES ALMOST PERFECT HARMONY OTHER COM.
MANY PEOPLE WANT TO LIVE THIS MAY BE MORE AND I AM WILLING TO EXPERIENCE THE BEST OF MY INTENT TO WORK FOR IT.
HE MADE FOR MY UNDERSTANDING THAT THE MOVEMENT IS PART OF MY COMPOSITION
human being. Sabina
REMEMBER THE FIRST WEEK OF THIS YEAR 2009 with deep joy, I FEEL THAT DRAW A SMILE ON MY FACE AFTER A DEEP BREATH. ME CUESTA
put into words But I feel that my movements are in complete harmony with my inner or my spirit.
FEEL THE CONNECTION TO BE GIVEN TO THE GROUP NOT KNOW IT WAS SMOOTH AND VERY REWARDING. FULL TUNING BETWEEN THIS
OUR INTERIOR IS GREAT WITH OTHERS.
FEEL LIKE OUR BEST DANCE CHEMICAL DOSING, EVERY ONE OF OUR FEELINGS AND ALSO MAKES ALMOST PERFECT HARMONY OTHER COM.
MANY PEOPLE WANT TO LIVE THIS MAY BE MORE AND I AM WILLING TO EXPERIENCE THE BEST OF MY INTENT TO WORK FOR IT.
HE MADE FOR MY UNDERSTANDING THAT THE MOVEMENT IS PART OF MY COMPOSITION
human being. Sabina
Quintana - Chile
second year of the meeting, the second version of a dream, an initiative created to "pulse", which seems to begin to define their identity, for at least a third version.
This year unlike the past, the festival lasted two weeks and consisted of two themes: DanceAbility the first week and the second contact improvisation. The presence of danceabiliti and I leave myself as speech, say: "Dancing with the resources they possess, no disability or disabilities, if not different capacities, different capabilities to resolve what has to be done", that and the reflection a colleague asked me in a conversation, planted in me a question: Do we want
encounter Dance + DanceAbility contact improvisation, is a festival oriented and affordable only to dancers, actors, body workers and those who can afford the registration fee?
From my perspective ... no.
I think our duty as people linked to the development, exploration, questioning and dissemination of artistic expression, is to make available these initiatives to those that our culture leaves off. It is our responsibility not to become an elite, if not in a community that creates open space in decentralizing this busy "practice" (make jams in gyms, parks or other, in areas of the city where social risk). Work on the creation of workshops around the capital and beyond, interested in sharing the beauty we experience in dance, to be available to anyone interested, regardless of ethnicity, social class, physical or mental condition.
The second year brought us many dance festival, new faces, energies and friends, more experience, and teachers who had accompanied us, new teachers like Gabriela Morales and Alito Alessi and of course a very physical sensation, something of a fatigue successful ... thanks to all who participated and made this second meeting.
Nicolas Cottet - Chile
DanceAbility I think is part of a revolution in our understanding of ability and disability of the body, ability and disability of people.
All bodies are able to speak. All bodies communicate. All bodies speak. DanceAbility is about allowing your body talk, let your body listen. They are simple things. Simple and magical. What are our true limitations? Where are they? To DanceAbility, are only in isolation. When we isolate ourselves, we limit ourselves. When we communicate, we gain the power of the entire community. It is a great network. When we build this network, we all have power of all the capabilities of the entire community. Mariana Carriquiry
- URUGUAY
Wednesday, September 10, 2008
Gays Brazilian Toronto
archive 2009 / archive 2008
After the meeting of Contact Improvisation dance in Santiago, at the Metropolitan University of Educational Sciences during the week from 7 to 11 January 2008, has sprouted a sense of community has been the emergence of a heterogeneous group that meets constant in different practice areas to Contact Improvisation. (CI)
So this year (2008) have kept alive the drive, the flow incardinated articulates us and threw us to the dance. How?, Creating continuity through Jams Free or open sessions of contact improvisation, sporadic during March and April, and weekly since May, whose value is not only the continuity of the practice, but vivénciales networks that are beginning to knit, expand and tighten. I mean, conversation and exchange of ideas and experiences related or not, to this dance, integration and constant turnover of people in the group, whether as also the participation of persons outside any kind of body practice, a mixture of perspectives and ways of addressing the jam, the group continued to roam in different art spaces, dance studios, universities and colleges, and free self-management sessions are edges of the phenomenon as beautiful as the practice itself.
But they have not been just the Jams, which have nourished the group. On April 25 perform "Route 06/03, a performance or attempt to spill the CI on the streets of our Santiago. Framed within the global events celebrating 36 years of Contact (CI36 Satellite Events) and for about four hours, covering 3.6 kilometers in challenging improvisation.
Then on June 7 and the hand of Florence Martinelli dance teacher, an Uruguayan, we "Trayecto.cerroabajo" this time contact improvise and live on the streets of Valparaiso. (Satellite CI36 Events)
Another revealing day for the group was the 36-hour Jam (also satellite event and global synchronization). During the weekend of 14 and 15 June 2008, at the dance studio and art space Nimiku, we created a marathon experience, hypnotic and exploratory improvisation.
also shared with the Workshop Exploratory Integrative Dance "composed by adults with disabilities (wrongly called" disabled "), specifically blind and low vision, those who explore and inhabit one of the smoothest jams and kind of our days.
And in August, the 24-hour jam, something like the finding by the group, that at night I turn the creative discourse, energy is changed, we are all more sensitive and able to improvise. 
After the meeting of Contact Improvisation dance in Santiago, at the Metropolitan University of Educational Sciences during the week from 7 to 11 January 2008, has sprouted a sense of community has been the emergence of a heterogeneous group that meets constant in different practice areas to Contact Improvisation. (CI)
So this year (2008) have kept alive the drive, the flow incardinated articulates us and threw us to the dance. How?, Creating continuity through Jams Free or open sessions of contact improvisation, sporadic during March and April, and weekly since May, whose value is not only the continuity of the practice, but vivénciales networks that are beginning to knit, expand and tighten. I mean, conversation and exchange of ideas and experiences related or not, to this dance, integration and constant turnover of people in the group, whether as also the participation of persons outside any kind of body practice, a mixture of perspectives and ways of addressing the jam, the group continued to roam in different art spaces, dance studios, universities and colleges, and free self-management sessions are edges of the phenomenon as beautiful as the practice itself.
But they have not been just the Jams, which have nourished the group. On April 25 perform "Route 06/03, a performance or attempt to spill the CI on the streets of our Santiago. Framed within the global events celebrating 36 years of Contact (CI36 Satellite Events) and for about four hours, covering 3.6 kilometers in challenging improvisation.
Then on June 7 and the hand of Florence Martinelli dance teacher, an Uruguayan, we "Trayecto.cerroabajo" this time contact improvise and live on the streets of Valparaiso. (Satellite CI36 Events)
Another revealing day for the group was the 36-hour Jam (also satellite event and global synchronization). During the weekend of 14 and 15 June 2008, at the dance studio and art space Nimiku, we created a marathon experience, hypnotic and exploratory improvisation.
also shared with the Workshop Exploratory Integrative Dance "composed by adults with disabilities (wrongly called" disabled "), specifically blind and low vision, those who explore and inhabit one of the smoothest jams and kind of our days.
And in August, the 24-hour jam, something like the finding by the group, that at night I turn the creative discourse, energy is changed, we are all more sensitive and able to improvise.
Saturday, August 9, 2008
Crazy Women Shake Boobs
"... AND IRON WAS"
And that I, here it is ... this is what came out in the "iron", I do not know what to say ... 
And that I, here it is ... this is what came out in the "iron", I do not know what to say ... Saturday, June 28, 2008
Deathwatch By Robb White Character Analysis
graphic file , texts and images of jams and activities in 2008
Path 3.6 km
The proposal was to form a group with which we traverse / walk 3.6 km from the city of Santiago practicing Contact Improvisation. The journey began on the bridge Orphans, which crosses the north-south road and ended in Condell pedestrian bridge over the River Mapocho.
were all invited to participate, the only requirement was to attend the previous call which specify the route to go, the approach route, the slogans and clarify all the doubts that arose at that time.
thinking, imagining, writing journey
Very nice photos and good text, really from a "single action" as this could start thousands of conversations on our assessment of public spaces, how to react when they break our structures, and we could go on and perhaps trying to understand our confusing and twisted minds and social constructions ... Anyway ...
Much love from Valparaiso (or from German Villa to be geographically correct)
Gabriel.
TRAYECTO.CERROABAJO
JAM36 HOURS IN SPACE ART Nimiku
Some, not knowing what we were getting into, crossed my thoughts and feelings during the early hours of those 36 ... Article slowly everything, random, stable and progressing ... suddenly a great display of instantaneous and parallel creations ... a dialogue at times chaotic and sometimes with a sense of flow ... keep dancing regardless of exhaustion, was a revealing experience.
The arrival of people who had never seen the astonishment of those who went and came back and we were not expecting and returned to diving, the musical explosion during the two nights, the brotherhood of the most "old" and the availability of space, were great gifts for that day.
JAM integrated dance EXPLORATORY WORKSHOP
blindfold ... all sounds meaning, a landscape to listen ... sometimes trying to recognize who danced, sometimes just enjoying the absence of visual awareness, immersing in the feelings of my skin ... soft, laughter and time stopped.
Jam 24hrs Nimiku art space
Path 3.6 km
The proposal was to form a group with which we traverse / walk 3.6 km from the city of Santiago practicing Contact Improvisation. The journey began on the bridge Orphans, which crosses the north-south road and ended in Condell pedestrian bridge over the River Mapocho.
were all invited to participate, the only requirement was to attend the previous call which specify the route to go, the approach route, the slogans and clarify all the doubts that arose at that time.
thinking, imagining, writing journey
Path 3.6 is ... in one of his readings, for me ... win / conviction to inhabit the public space, with an unconventional body for this environment ... the fantasy of being able to be in the real, from real fantastic body ... spider-man.
Holding this link to be, with the movement, this "body rhetoric", maintaining that "if magic" is what the project applicant ... here, for me, the substance to sip, the magnifier to put on one aspect to scrutinize this action, this way ... as I hold the attitude of doing, beyond the contact, without going beyond the contact.
Beyond that ... this feeling that I punctured with your question ... ENJOY ... I rubbed against or in favor of the streets of my city ... I was born in this particular habitat, birds, micro, river, ditch, cold, homeless Dictatorship, referendum, consultation and death Pinocchio ... better, I'm floating on the surfaces of my city ... something known to claim. Nico
route from my body
Friday April 25, 2008, between 16 and 20 º º º º º º
... 21 blocks from route 36
Ana Salinas
... ... ... .. inspired by photographs of passers in that world of shadows ... so I set and I was watching with the body sense the invisible space of the group ... I have flash in different places, mainly I remember feelings ... arms and eyes ... steps ... from a jungle
reach the last
unusual place ... ... to privacy, the record ... I'm surprised
floor (somewhat uncomfortable) the flow of pure body
giving the bike
kili transantiago
row behind the middle and advanced
center to respond with my address
ups for another dance down ... I lose
time ... time change
hung a monkey laughs growing stomach ... and promotes the taya
... just rolling through the wall and the bar several steps
I stay with the hem of steps from the post look
finger spray to talk to someone ... I hear the violin
camilo reggaeton coffee with
rebounds legs ... we have lost ... ... estop back we stop. Stakato. . . .
ground swell of bodies ... ... ... ... ... .. dark
my shadow
water and violin sings a woman ... a man sings ... the north ends
jump jump ... uu uu uu uh counterweight hh hhh ss spins s ... gi "
tickle? ... I do not mind someone I know is
right up there, 6 th floor
rodrigo makes contact with it ... laugh ... head to the bench ...
head through the body ... and a lantern
shock impulse ... chok momentum. Ch boost ... ps .. go to take auncaballe
shock boost with the wall
Waiting ... .. seems to be no green light "?
hhhhhh ... lllegada, season, bloating, water ... words, counting ..
withdrawals undertaken ..
place looks better from above the sink, but no,
was right where we were
Grapes ...
Barro way up
My cold hand touch my face ... ... ... and laguatita not so cold .. group hug
(Plazaitalia)
light .. Arco really nice thing was the feeling you get
Light under the feet
manodestapaboca
_manodestapaboca_manodestapaboca_manodestapaboca
Call manodestapaboca_manodestapaboca_manodestapaboca
respond
merchandancing
marathon
contact input characters ... from where? .. I follow.
manodestapaboca
_manodestapaboca_manodestapaboca_manodestapaboca
calling responding
straight or smooth bark? ...
______________________llegada_
smooth ground pool ... body odor ... time ... mapocho
hand ... across the bridge beep
. s.
s return from Orphan riquelme ... on the river of cars
Path 3.6 ... the first 400 meters
I wonder what happens to me with this, as my body responds, I am filled with ideas
But these soon fade ...
I feel like a puppy dog \u200b\u200bin the middle of all these bodies. Amid these dances, this geography ... Start
everything communicates everything happens, I start to feel like live bodies and allowed to become involved ...
Looks and looks not to start a dialogue taking into account the volume, speed and talk to the body as a whole.
The discover a whole and to establish a link and then be part of this ...
start to feel less and less absorbed by the concrete jungle for this atmosphere in which nature is mixed in its most likely with the development ...
dark and I stop, look around a journey of dance, energy meetings
textures looks aromas listen ...
arrived at journey's end and suddenly I passed like a flash back of the head
With all those feelings, I restrain myself, I breathe, I left as a floating ...
Way to the Metro station Baquedano this time singing with Anita.
Yasmin Gigliola Montefusco
Very nice photos and good text, really from a "single action" as this could start thousands of conversations on our assessment of public spaces, how to react when they break our structures, and we could go on and perhaps trying to understand our confusing and twisted minds and social constructions ... Anyway ...
Much love from Valparaiso (or from German Villa to be geographically correct)
Gabriel.
TRAYECTO.CERROABAJO
The city also dances 
By Diego Gaete Vargas
By Diego Gaete Vargas
In the "Contac" no limits and no movement is deliberate. The body of a partner can be a platform, a bridge, the addition of a figure only be achieved by hitting back, hands and legs to go with what that moment of shared power succeeds in creating a few seconds. The dancer, too, seeks to catch up with what surrounds him and so shamelessly embraces a pole, jump on an old car or rolling downhill on the hard pavement. All this to the sound of our usual street music: honking, a door opens, a barking dog or the hum of curious pedestrians moving in their everyday look astonished this urban intervention. This is because the "Contac" certainly breaks our natural sphere of security: that zone that separates us from others (people and objects) and to be infringed by a stranger confuses us and causes immediate suspicion. It invades the space. Is the space that suddenly responds and envelops each of the participants of the dance. Thus, an artistic expression that plays with the approach that eliminates the distance and makes direct contact with their main weapon, can be the beginning of a long discussion, a question that leads us to think of our natural desire to measure and limit everything (in blocks, centimeters, private, restricted access areas, in places where it is not allowed to drive) and discover that sometimes the city can take on a life of its own and thus, perhaps, seeking to recover that freedom which slowly We have stripped.
JAM36 HOURS IN SPACE ART Nimiku
Some, not knowing what we were getting into, crossed my thoughts and feelings during the early hours of those 36 ... Article slowly everything, random, stable and progressing ... suddenly a great display of instantaneous and parallel creations ... a dialogue at times chaotic and sometimes with a sense of flow ... keep dancing regardless of exhaustion, was a revealing experience.
The arrival of people who had never seen the astonishment of those who went and came back and we were not expecting and returned to diving, the musical explosion during the two nights, the brotherhood of the most "old" and the availability of space, were great gifts for that day.
JAM integrated dance EXPLORATORY WORKSHOP
blindfold ... all sounds meaning, a landscape to listen ... sometimes trying to recognize who danced, sometimes just enjoying the absence of visual awareness, immersing in the feelings of my skin ... soft, laughter and time stopped.
Jam 24hrs Nimiku art space
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