R! Reflection Blog representative as my leisure caused by the holidays, Christmas now ... With two new ideas ... "And you, do you think of Christmas" and the Association for Hallaca unadorned ...
Friday, December 24, 2010
Touched Someone's Blood
R! 2011 in full # Christmas! Arte
R! Reflection Blog representative as my leisure caused by the holidays, Christmas now ... With two new ideas ... "And you, do you think of Christmas" and the Association for Hallaca unadorned ...
R! Reflection Blog representative as my leisure caused by the holidays, Christmas now ... With two new ideas ... "And you, do you think of Christmas" and the Association for Hallaca unadorned ...
Friday, December 10, 2010
Tuesday, November 16, 2010
Boric Acid In Garden For Termites
What To Do With A Deep Infection In The Ear
April
is the weight that gives us
notion of contact is what gives us another notion of gravity we have to
Movement causes us Want
notion forces us on the move and not lose
reason is the weight and contact
Which brings us to the other in the act
By having a meeting with my partner
I am just me confined him in a certain point
Would God keep
friend gravity then the contact order that I may be with you and you
me
Jose Soto 
Gabriela Morales (Argentina), Nicolas Cottet (Chile), Daniel Schwartz (France / Argentina) and Eckhard Müller (France / Germany), were responsible for three seminars. In addition to open classes, laboratory and public space CI, JAMS and live music, a talk-oriented dialogue on the CI as a tool of creation and of course a lot of energy in motion.
I thought, how wonderful is the body in its most everyday act, the simple act of stand up means a perfect arrangement. The body meets its objectives (not always, there are multiple possibilities, as there are none), you walk, walk, want to move an arm, you move, you stand and what each part does internally put in place to achieve it.
think, thanks to the feeling of my body, that the "realization" means something very important to take the awareness and put into action, a consciousness that has to do with the act, modify, change or transform. Diviso my body and I warn you of the imbalances and just realize, I find the places I live and I should leave more calm as well.
I think the body is like a book that tells our story, a story that is in constant motion, is alive, "focuses and expands, breathing and constantly changing. I think the body is a good example of society, not just a reflection, but also an example of how it works and how it could improve. I think this when I realize that in our bodies each party plays a particular important role, so that everything finally works. I think the most important is to realize a utopia, I believe more simple, less complex and very deep. Thank
KIND bodies with whom I met here. Personal way, I do not have depth with someone in a relationship, but in bodies in contact with the other bodies I see a great and beautiful world, which is not possible to achieve with words, is another I kind of dialogue about a very organic relationship with humanity ... contact.
I met with some questions like:
How could so calmly find another body that does not know?
Where does this quiet?
How is it possible that my body has so much control their every move?
How to think he or moving?
When thinking together with the move?
To feel is to think?
To feel it move?
UUff! Many more, the body is infinite, the universe contain
believe in me and calm me open the door to him. Catalina Tello
How could so calmly find another body that does not know?
Where does this quiet?
How is it possible that my body has so much control their every move?
How to think he or moving?
When thinking together with the move?
To feel is to think?
To feel it move?
UUff! Many more, the body is infinite, the universe contain
believe in me and calm me open the door to him. Catalina Tello
is the weight that gives us
notion of contact is what gives us another notion of gravity we have to
Movement causes us Want
notion forces us on the move and not lose
reason is the weight and contact
Which brings us to the other in the act
By having a meeting with my partner
I am just me confined him in a certain point
Would God keep
friend gravity then the contact order that I may be with you and you
me
Jose Soto
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To initiate and deepen
CI Led by Gabriela Morales
$ 35,000 pesos
of the bones to the skin from skin to space and back!
begin the class with a alignment work and experiential anatomy to deepen the perception of our physical sensations and our internal connections in stillness and in motion.
We will focus on the pelvis, spine and skin as other solo and duet in touch, exchanging weight, communicating through touch, with support, flying or falling.
work on developing the ability to extend our focus from the body, space and toward others, observing the many fluctuations of attention when we have to live with other space-time of the unexpected.
Gabriela Morales (Argentina) Performer contemporary dance, physical education teacher, researches and teaches movement. Was a student of Patricia Stokoe in sensory perception and a founding member of contemporary dance Rosario "La Troupe". Daniel Trenner was his first teacher of Contact Improvisation in Argentina, 1988. In New York he studied at Movement Research, Barbara Mahler, Trisha Brown Company with Nancy Topf, among others. Study with Steve Paxton, Daniel Lepkoff, Lisa Nelson, Nancy Stark Smith, Karen Nelson, Andrew Harwood, Martin Keogh, Ray Chung, Susan Schell, among others. Since 1986, he directed his studio in Rosario, which is a space for practice and research of motion (www.estudiogabimorales.com.ar.) Teaches Contact Improvisation, sensory perception and alignment for dancers in different cities and festivals in Argentina and Europe. Since 1994, dedicated to the Performance in improvisation and has worked and collaborated with artists in the field of dance, music and visual arts.
To start and rediscover CI
Guided by Nicolas Cottet
$ 15,000 pesos
"A level"
The floor or ground, is a constant companion throughout our lives, like gravity that is constantly inviting us to land.
In this seminar we will leave these two elements influence. Look sentirnos cómodos al movernos cerca del piso, empujándo y cediendo. Explorando cuanto es realmente lo que debemos resistir a la gravedad, que lugares y maneras tenemos de rodar y deslizar. Re significaremos a nuestros compañeros como parte del suelo, como una “geografía”, veremos los lugares donde podemos y donde no deboemos apoyarnos en el cuerpo del otro. Y por supuesto dejemos un espacio para bailar, pero por esta ves, solo “A piso”.
Nicolás Cottet, (Chile) Comienza su formación en las artes escénicas el año 2003, cursando estudios de actuación durante cuatro semestres en la Escuela Teatro Imagen. Es en esta escuela donde conoce el Contacto Improvisation Mellado Paulina's hand. Parallel 2004 is invited to work in contemporary dance company The Showcase, where he began training in dance, is where he met Florence Martinelli, whom he discovers love and dance. Next is Daniela Schwartz and Eckhard Mueller with whom begins to deepen and who considered their teachers. He has also taken classes with Andrea Fernandez, Gabriela Morales, Alejandro Cáceres, Daniela Marini, Alito Alessi and Fernanda Carvalho.
To deepen / for people with experience in CI
Guided by Eckhard Mueller Daniela Schwartz + $ 25,000 pesos
The art of sharing the lightness of weight
This workshop will investigate the relationship of our body with the "up" and the "down" in the stillness and movement of dance.
explore deeply the system of bone and its relationship with gravity, while the weight drops through the architecture of the body towards the floor and we projected from the floor in the Tri-dimensional space, finding the alignment in each situation.
investigate the use of the floor, using the architecture of our bodies and other bodies, the use of internal space / external using the breath as a tool to invite active relaxation: towards the "down" towards "the top " and movement, while offering support each other in physical communication from inside our bodies.
Integrating these principles will provide support to our own, to "be" in the present moment, to communicate with the momentary needs of the moving body, between heaven and earth, and thus develop a dance full of lightness, ease and freedom learning to modulate the weight and tone our body to be open to physical communication possibilities in relation to the others.
Eckhard Mueller (Germany / France) in love of Contact Improvisation in 1988, began studying contemporary dance, improvisation and CI-art bewegung Freiburg, with Alito Alessi, David Zambrano, Mark Toompkins, Julyen Hamilton, Nancy Stark Smith, Martin Keogh, among others. He has since collaborated with several research groups improvisation and performance, developing their own understanding of the instant composition as an art form. As a dancer working with choreographers such as Itzocan Kovac, Mark Tompkins, David Zamabrano. Taught CI from 1994 to professional dance and theater, students and non-professional dance centers around the world. The last 3 years, with the project "Tour in South America, co-taught with Daniel in various companies, Institutions, Festivals Co-founder of dance theater dégadézo CIA based in Strasbourg, whose creations are developed through improvisational material. Eckhard 20 years is very active in building and supporting 'communities of CI "in Freiburg and the rest of the world. It is co-founder of the largest event in Europe CI, Contact Festival Freiburg.
Daniela Schwartz, (Argentina / France) Dancer, Performer, improviser and teacher of Contact Improvisation and Instant Composition since 1998. Plastic artist graduated from the ESAD, Ecole supérieure des Arts Decoratifs in Strasbourg. Participate in various projects, laboratories, performance in Cuba, Mexico, USA, Europe and South America. Influenced by Martin Keogh, Danny Lepkoff, Nancy Stark Smith, Mark Tompkins, Hamilton Julyen ... Invited as a teacher with Eckhard Mueller by various companies, institutions, festivals in Europe, USA, and South America. Member dégadézo dance theater company, co-created "Cabine d'essayage", "Parlez-moi d'amour", and teaches at the South Pole Teatro Municipal School of Dance, National Theatre, Marc Bloch University and CIRA in Strasbourg. Years in the creation of contemporary jewelry, objects, textiles, fashion studies, creation of video, installation, performance, and different aspects' of body "reported physical training and intellectual inquiry, questioning the idea of" human being separate from the world "The last 6 years Eckhard assists in the development of SKIN, interactive and interdisciplinary project performance.
Brazilian Wax And St Thomas
Free Activities
Laboratory contact improvisation and public space
guided by Tatiana Pérez
Develop a dance of contact between person and the geography of public space. Using improvisation as a flexible forward.
be proposed as geography, all that supports and welcomes a body / person, from the sounds and volumes, smells, ideas, colors, textures, creatures that inhabit it, architectural elements, memories, weather, etc.. Establishing
as "the only choice of space, this is public. To that geography is rich in variety of pieces of research.
Delivering the question "How gender dialogue through contact between one or more bodies and geography, allowing information to believe that this donation movements and thus a new dance.
In this lab, each person can share with one or more areas of geography, we will move. One or more areas with which we contact in the concrete and the poetic.
be used slogans and improvisational games to bring the members of the laboratory to the elements of the geography of their choice, creating a dialogue as a conversation, ie, I stand in front of a space element, memory, a place and beginning to know this, creating a conversation, from the usual, everyday, to abstract and surreal. Also offer as a person, my being recognizable, and then go to details and then the thoughts and ideas.
During the development of the laboratory will search for material, and then shared at the end of the process, with the festival in general and guests.
Tatiana Perez, born on September 2, 1980, in Santiago de Chile, begins to take dance lessons and piano from an early age.
In 2005 he created the dance company in public spaces "Collective restless," along with Frank Gazitúa, with which it has created and directed five plays, "Traslaxion", "Temporary Home", "Stroke or neighborhood biography" ENVIRONMENT and animal sleep in the city (all created and displayed in public spaces). This group continues to this day showing his latest work.
is entitled to a degree in art and dance educator in 2006, Arcis University. Join
three times in the international festival "Dance on the edge" of the global network "Cities dance" with the works, "Back to look" Daniela Marini, "Traslaxion" and "Temporary Home", the group troubled under his leadership. All displayed in public spaces. Join
twice at the festival of street art "street art explosion" in 2008 and 2009, with works ANIMAL ENVIRONMENT and sleeping in the city, under his direction, the Collective Restless.
part in the creation and display of the play "The second word in the creation of" Women Installed "and the sample of" Manual number one "of Director Sergio Valenzuela, in 2006, 2007 and 2008. At the same time working since 2002 to date, making contemporary dance classes in different rooms of Santiago, circus in the world and dance school at the University of the Americas and in two villages in the region of rivers of Chile, called Puerto fuy Neltume. In which he teaches at four rural schools under the auspices of the foundation Huilo Huilo, the ecological reserve of the same name.
JAMs and Live Music
practice sessions JAMs contact improvisation, are instances of "freedom", can dance a time or all hours the session lasts, you can go look, you record or take pictures, you can go to draw, are also welcome those who want to participate in music.
About participation
musical improvisations guided by Daniel Mendoza SM
is no denying the close relationship between dance and music. Probably because Dance naturally born as a body of music interpretation, ie the instinctive need arose to translate the language of sound into the language of movement. So in the origins of Western culture, established a certain hierarchy between the two terms, a bond of dependency such that time was not conceived to dance without music ...
While this has been changing over time, and has managed to reach a situation of horizontal dialogue between the two disciplines (such as the idea of \u200b\u200b"Jams"), I noticed that on many occasions, to take role of improvised music, still beats inside me that conditioning cultural places I'm playing in a close creative, and dance as a separate entity that depends more on me than I of him. A condition that, as a parasite of the unconscious, it makes me play "to dance" instead of "For dance." It's like when in a conversation, try to convince you stop looking for a communicative instance, allowed to create connections for believing only be right.
was the need to get rid of this bug which led me to design a proposal for a musical director for the Festival meeting, which aimed to investigate exactly what would happen if the roles were reversed in the dependency ratio Dance-Music. Thus arose the idea of \u200b\u200bcreating a map of improvisation in which the characteristics of sound events could only be determined by the actions of the dancers present. BODIES AS SCORE, and the musicians made the service completely improvised choreography. As in nature, this system can not conceive of improvisation sound without physical movement. 
Laboratory contact improvisation and public space
guided by Tatiana Pérez
Develop a dance of contact between person and the geography of public space. Using improvisation as a flexible forward.
be proposed as geography, all that supports and welcomes a body / person, from the sounds and volumes, smells, ideas, colors, textures, creatures that inhabit it, architectural elements, memories, weather, etc.. Establishing
as "the only choice of space, this is public. To that geography is rich in variety of pieces of research.
Delivering the question "How gender dialogue through contact between one or more bodies and geography, allowing information to believe that this donation movements and thus a new dance.
In this lab, each person can share with one or more areas of geography, we will move. One or more areas with which we contact in the concrete and the poetic.
be used slogans and improvisational games to bring the members of the laboratory to the elements of the geography of their choice, creating a dialogue as a conversation, ie, I stand in front of a space element, memory, a place and beginning to know this, creating a conversation, from the usual, everyday, to abstract and surreal. Also offer as a person, my being recognizable, and then go to details and then the thoughts and ideas.
During the development of the laboratory will search for material, and then shared at the end of the process, with the festival in general and guests.
Tatiana Perez, born on September 2, 1980, in Santiago de Chile, begins to take dance lessons and piano from an early age.
In 2005 he created the dance company in public spaces "Collective restless," along with Frank Gazitúa, with which it has created and directed five plays, "Traslaxion", "Temporary Home", "Stroke or neighborhood biography" ENVIRONMENT and animal sleep in the city (all created and displayed in public spaces). This group continues to this day showing his latest work.
is entitled to a degree in art and dance educator in 2006, Arcis University. Join
three times in the international festival "Dance on the edge" of the global network "Cities dance" with the works, "Back to look" Daniela Marini, "Traslaxion" and "Temporary Home", the group troubled under his leadership. All displayed in public spaces. Join
twice at the festival of street art "street art explosion" in 2008 and 2009, with works ANIMAL ENVIRONMENT and sleeping in the city, under his direction, the Collective Restless.
part in the creation and display of the play "The second word in the creation of" Women Installed "and the sample of" Manual number one "of Director Sergio Valenzuela, in 2006, 2007 and 2008. At the same time working since 2002 to date, making contemporary dance classes in different rooms of Santiago, circus in the world and dance school at the University of the Americas and in two villages in the region of rivers of Chile, called Puerto fuy Neltume. In which he teaches at four rural schools under the auspices of the foundation Huilo Huilo, the ecological reserve of the same name.
JAMs and Live Music
practice sessions JAMs contact improvisation, are instances of "freedom", can dance a time or all hours the session lasts, you can go look, you record or take pictures, you can go to draw, are also welcome those who want to participate in music.
About participation
musical improvisations guided by Daniel Mendoza SM
is no denying the close relationship between dance and music. Probably because Dance naturally born as a body of music interpretation, ie the instinctive need arose to translate the language of sound into the language of movement. So in the origins of Western culture, established a certain hierarchy between the two terms, a bond of dependency such that time was not conceived to dance without music ...
While this has been changing over time, and has managed to reach a situation of horizontal dialogue between the two disciplines (such as the idea of \u200b\u200b"Jams"), I noticed that on many occasions, to take role of improvised music, still beats inside me that conditioning cultural places I'm playing in a close creative, and dance as a separate entity that depends more on me than I of him. A condition that, as a parasite of the unconscious, it makes me play "to dance" instead of "For dance." It's like when in a conversation, try to convince you stop looking for a communicative instance, allowed to create connections for believing only be right.
was the need to get rid of this bug which led me to design a proposal for a musical director for the Festival meeting, which aimed to investigate exactly what would happen if the roles were reversed in the dependency ratio Dance-Music. Thus arose the idea of \u200b\u200bcreating a map of improvisation in which the characteristics of sound events could only be determined by the actions of the dancers present. BODIES AS SCORE, and the musicians made the service completely improvised choreography. As in nature, this system can not conceive of improvisation sound without physical movement.
Rough With Wifes Breasts
Seminars Open classes with voluntary cooperation
jam To start welcome / Sunday 2 16:00 to 18:00 hrs.
Guided by Rodrigo López Allende
Space
-Body-Dialogue Dialogue as a place of distance and proximity is an instance that allows the spatial relationship of the bodies. This dynamic and fun is the embodiment modifies the individual and collective body is generating an alert, from a perceptual situation.
This class seeks to create a perceptual instance, where the expressive body relates to another and install a moving visual that invites contact and need to communicate and seek tuning. Psychophysical tuning
This is what I call dialogue and operates in a wide field of exploration, where the axiom "it is impossible not to communicate" is proposed as "it is impossible not to dance or not in one event to invite the other" whether in the distance or near, where space is delimited.
The methodology is based on meditation in movement, ie generate a state of alert "passive-active" willing to inhabit a common ground, making it possible to expand the body language both individually and collectively.
vital center's work and the relationship with your weight, it allows us to recognize one another as similar, developing a conscious contact and through trust, open improvisation into uncharted terrain, from the simplicity of the game to the complexity of skill.
The body as a visual, ie as an entity that awakens the imagination, provides the subtlety and stillness, and the possibility of a poetic relationship with each other's bodies (and body) which allows the dynamic contact come to pass in places rarely visited or not legitimized.
The idea of \u200b\u200bthe class is to expand the forms of contact, promoting the conscious act, rediscovering their own space (from where I connect with the other), setting the playful body and alert mind.
Contents:
Meditation / breathing and circularity / dynamic center, monitoring and intrusion / Dialogue and alert presence / Games perceptual
Allende Actor Rodrigo Lopez, Bachelor of Arts in 2003 at the University UNIACC . He has worked as a performer and director in various theater and dance productions: Rapid Eye Movement (2005), Little Violin (2006-2007), measure the distance (Fondart Project 2008 -2009) Futile (2009).
As a teacher he works since 2005 at the University UNIACC, making the movement branch I and II. He has worked in the Master of Education at the University Theatre for Development in design, making the subject Creativity Body (2006-2009).
has studied with many choreographers and performers: Elijah Cohen, Thomas Bentin (Denmark), Elizabeth Rodriguez, Francisca Morand, Claudia vicuña, Alejandro Cáceres and Minako Seki. (Japan)
In 2008 attended the first meeting of contact improvisation in Chile given by Eckard Muller (Germany) and Daniela Schuartz (Argentina), and 2009 in the first game of contact with professors Uruguay Ricardo Neves (Brazil), Martin Keogh (USA) and Andrea Fernandez (Argentina).
From 2003 to the present practice yoga and meditation.
currently involved in the project Dysphonia (Rock and Performance) www.disfonia.cl/ Kevingleiva.blogspot.com, Who has released two albums to date Hysterical (2009) and Structural Damage (2010)
To share and explore / Monday 3 and Tuesday 4 14:00 to 16:00 hrs.
Guided by Camila Segerous
"INSIDE OUTSIDE"
Guided Research Workshop contact and improvisation as a concept of relationship between interior and exterior of the subject. In that way we move is how we contact with external reality. Intends to get into the possibilities given to the human body in its interaction, investigating the physical principles of movement through organic logic, and exploring through poetry to her intimate body contact with the material that is external to the naked eye being. Tending to the query of communication and contact between foreign and domestic.
How do we connect this with what is?
A game in the world of touch and inherent in establishing contact between bodies and space.
space designed for two consecutive sessions in order to generate a continuation in the slogan and learning.
Segerous Camila, with concerns in the organic movement from the beginning, after studying three years at the center of spiral dance (UAHC) decided to travel to Belgium in search of contemporary dance. There he met Axis syllabus, methodology studying the universal principles of movement, and it is from here that has crept in contemporary dance and contact improvisation as a way of respecting the body dasarrollo and its context. He has studied in Chile, Brazil, Germany, Italy, Belgium and Czech Republic, with personalities of ci and instant composition as Little Nitta, Frey Faust, Keith Hennessy, Martin Kivaldi, Iñaki Aspillaga, Alejandro Cáceres, among others. Currently investigates Aikido (kenkiukay), a search of uprooting dance aesthetic and focus on internal-external contact of the stage. She teaches "organic movement" in the space Nimiku in Santiago. 
jam To start welcome / Sunday 2 16:00 to 18:00 hrs.
Guided by Rodrigo López Allende
Space
-Body-Dialogue Dialogue as a place of distance and proximity is an instance that allows the spatial relationship of the bodies. This dynamic and fun is the embodiment modifies the individual and collective body is generating an alert, from a perceptual situation.
This class seeks to create a perceptual instance, where the expressive body relates to another and install a moving visual that invites contact and need to communicate and seek tuning. Psychophysical tuning
This is what I call dialogue and operates in a wide field of exploration, where the axiom "it is impossible not to communicate" is proposed as "it is impossible not to dance or not in one event to invite the other" whether in the distance or near, where space is delimited.
The methodology is based on meditation in movement, ie generate a state of alert "passive-active" willing to inhabit a common ground, making it possible to expand the body language both individually and collectively.
vital center's work and the relationship with your weight, it allows us to recognize one another as similar, developing a conscious contact and through trust, open improvisation into uncharted terrain, from the simplicity of the game to the complexity of skill.
The body as a visual, ie as an entity that awakens the imagination, provides the subtlety and stillness, and the possibility of a poetic relationship with each other's bodies (and body) which allows the dynamic contact come to pass in places rarely visited or not legitimized.
The idea of \u200b\u200bthe class is to expand the forms of contact, promoting the conscious act, rediscovering their own space (from where I connect with the other), setting the playful body and alert mind.
Contents:
Meditation / breathing and circularity / dynamic center, monitoring and intrusion / Dialogue and alert presence / Games perceptual
Allende Actor Rodrigo Lopez, Bachelor of Arts in 2003 at the University UNIACC . He has worked as a performer and director in various theater and dance productions: Rapid Eye Movement (2005), Little Violin (2006-2007), measure the distance (Fondart Project 2008 -2009) Futile (2009).
As a teacher he works since 2005 at the University UNIACC, making the movement branch I and II. He has worked in the Master of Education at the University Theatre for Development in design, making the subject Creativity Body (2006-2009).
has studied with many choreographers and performers: Elijah Cohen, Thomas Bentin (Denmark), Elizabeth Rodriguez, Francisca Morand, Claudia vicuña, Alejandro Cáceres and Minako Seki. (Japan)
In 2008 attended the first meeting of contact improvisation in Chile given by Eckard Muller (Germany) and Daniela Schuartz (Argentina), and 2009 in the first game of contact with professors Uruguay Ricardo Neves (Brazil), Martin Keogh (USA) and Andrea Fernandez (Argentina).
From 2003 to the present practice yoga and meditation.
currently involved in the project Dysphonia (Rock and Performance) www.disfonia.cl/ Kevingleiva.blogspot.com, Who has released two albums to date Hysterical (2009) and Structural Damage (2010)
To share and explore / Monday 3 and Tuesday 4 14:00 to 16:00 hrs.
Guided by Camila Segerous
"INSIDE OUTSIDE"
Guided Research Workshop contact and improvisation as a concept of relationship between interior and exterior of the subject. In that way we move is how we contact with external reality. Intends to get into the possibilities given to the human body in its interaction, investigating the physical principles of movement through organic logic, and exploring through poetry to her intimate body contact with the material that is external to the naked eye being. Tending to the query of communication and contact between foreign and domestic.
How do we connect this with what is?
A game in the world of touch and inherent in establishing contact between bodies and space.
space designed for two consecutive sessions in order to generate a continuation in the slogan and learning.
Segerous Camila, with concerns in the organic movement from the beginning, after studying three years at the center of spiral dance (UAHC) decided to travel to Belgium in search of contemporary dance. There he met Axis syllabus, methodology studying the universal principles of movement, and it is from here that has crept in contemporary dance and contact improvisation as a way of respecting the body dasarrollo and its context. He has studied in Chile, Brazil, Germany, Italy, Belgium and Czech Republic, with personalities of ci and instant composition as Little Nitta, Frey Faust, Keith Hennessy, Martin Kivaldi, Iñaki Aspillaga, Alejandro Cáceres, among others. Currently investigates Aikido (kenkiukay), a search of uprooting dance aesthetic and focus on internal-external contact of the stage. She teaches "organic movement" in the space Nimiku in Santiago.
Monday, November 15, 2010
Jaw Swellingafter Tooth Filling
MATERNAL GREY DISTRICT
Finally, after a few months without being touched with the wand of the publication ... we left. 
Finally, after a few months without being touched with the wand of the publication ... we left. Tuesday, November 2, 2010
Tips For Fence Stretching
FACTORY LINT
From now on, you can buy your Fluff at DANA'S (C / Pou de Sant Pere n º 15, Sant Feliu de Llobregat, BCN). Fashion men and women and accessories. We wait! 
From now on, you can buy your Fluff at DANA'S (C / Pou de Sant Pere n º 15, Sant Feliu de Llobregat, BCN). Fashion men and women and accessories. We wait!
Friday, October 8, 2010
How I Get Free Full Version Of Aoe 2
after the drought ...
bueh, went something FIERRO, no big deal ... but build on and bring me some birthday greeting 
bueh, went something FIERRO, no big deal ... but build on and bring me some birthday greeting Wednesday, October 6, 2010
Kates Playground Uncensored Foto
The Pelusas ya están en Twitter
!!!!! Follow us on Twitter @ Pelusasfactory
As you can see, we're not idly but working hard and opening new horizons hehe. In each place come new friends and always treat us very well so we can not be happier.
Lint's family ... continues to grow! 
!!!!! Follow us on Twitter @ Pelusasfactory
As you can see, we're not idly but working hard and opening new horizons hehe. In each place come new friends and always treat us very well so we can not be happier.
Lint's family ... continues to grow!
Wednesday, September 15, 2010
Mid-priced Av Receiver 2011
Toilet Paper Rolls! RB: Art Inside Toilet Paper Rolls Making
Original article here: http://www.toxel. com/inspiration/2010/08/29/art-inside-toilet-paper-rolls /
Huntik Season 2 Cards
Future Magic. Iluminograma with iPad
I, without a word, yesterday these people came this incredible ; video and today we were all stunned to see him. 
I, without a word, yesterday these people came this incredible ; video and today we were all stunned to see him.
Tuesday, September 14, 2010
White Cm 6 Days Before Period
All pending # NewTwitter! TIN
I had to post the video on the Blog! mu liked! haha!
twitter.com / newtwitter 
I had to post the video on the Blog! mu liked! haha!
twitter.com / newtwitter
Monday, September 6, 2010
How Do You Trade Pokemon Using Vba On A Mac
between Puff. Sixth installment of the Saga. Coca Cola Zero
Tuesday, August 24, 2010
Introduction For School Annual Day
a poke in the can, on TV! First Video Vertical!
Well after a time without posting videos Series of La Lata, come with a new video in Vertical! =)
Well after a time without posting videos Series of La Lata, come with a new video in Vertical! =)
Friday, August 20, 2010
Volkswagen Fitted Hat, Van Wilder
Verano de mucho trabajo
No, we're on vacation ... quite the contrary. We are working hard, not just creating Fluff and complying with shift assignments but working on a future project that excites us tremendously. We would not like to get some and then come out more or change the initial heading ... so, we will share with you as soon as you go taking more definite shape. Send us your positive energy and sure everything goes well:)
Meanwhile, I anticipate that we are making new crowns and soon I'll post the photos here. I also remind you that follow us in Facebook (if you do not yet) we are always doing draws lightning and you can earn some Fluff;) 
No, we're on vacation ... quite the contrary. We are working hard, not just creating Fluff and complying with shift assignments but working on a future project that excites us tremendously. We would not like to get some and then come out more or change the initial heading ... so, we will share with you as soon as you go taking more definite shape. Send us your positive energy and sure everything goes well:)
Meanwhile, I anticipate that we are making new crowns and soon I'll post the photos here. I also remind you that follow us in Facebook (if you do not yet) we are always doing draws lightning and you can earn some Fluff;)
Tuesday, August 17, 2010
Monday, August 16, 2010
Tuesday, August 10, 2010
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