jam To start welcome / Sunday 2 16:00 to 18:00 hrs.
Guided by Rodrigo López Allende
Space
-Body-Dialogue Dialogue as a place of distance and proximity is an instance that allows the spatial relationship of the bodies. This dynamic and fun is the embodiment modifies the individual and collective body is generating an alert, from a perceptual situation.
This class seeks to create a perceptual instance, where the expressive body relates to another and install a moving visual that invites contact and need to communicate and seek tuning. Psychophysical tuning
This is what I call dialogue and operates in a wide field of exploration, where the axiom "it is impossible not to communicate" is proposed as "it is impossible not to dance or not in one event to invite the other" whether in the distance or near, where space is delimited.
The methodology is based on meditation in movement, ie generate a state of alert "passive-active" willing to inhabit a common ground, making it possible to expand the body language both individually and collectively.
vital center's work and the relationship with your weight, it allows us to recognize one another as similar, developing a conscious contact and through trust, open improvisation into uncharted terrain, from the simplicity of the game to the complexity of skill.
The body as a visual, ie as an entity that awakens the imagination, provides the subtlety and stillness, and the possibility of a poetic relationship with each other's bodies (and body) which allows the dynamic contact come to pass in places rarely visited or not legitimized.
The idea of \u200b\u200bthe class is to expand the forms of contact, promoting the conscious act, rediscovering their own space (from where I connect with the other), setting the playful body and alert mind.
Contents:
Meditation / breathing and circularity / dynamic center, monitoring and intrusion / Dialogue and alert presence / Games perceptual
Allende Actor Rodrigo Lopez, Bachelor of Arts in 2003 at the University UNIACC . He has worked as a performer and director in various theater and dance productions: Rapid Eye Movement (2005), Little Violin (2006-2007), measure the distance (Fondart Project 2008 -2009) Futile (2009).
As a teacher he works since 2005 at the University UNIACC, making the movement branch I and II. He has worked in the Master of Education at the University Theatre for Development in design, making the subject Creativity Body (2006-2009).
has studied with many choreographers and performers: Elijah Cohen, Thomas Bentin (Denmark), Elizabeth Rodriguez, Francisca Morand, Claudia vicuña, Alejandro Cáceres and Minako Seki. (Japan)
In 2008 attended the first meeting of contact improvisation in Chile given by Eckard Muller (Germany) and Daniela Schuartz (Argentina), and 2009 in the first game of contact with professors Uruguay Ricardo Neves (Brazil), Martin Keogh (USA) and Andrea Fernandez (Argentina).
From 2003 to the present practice yoga and meditation.
currently involved in the project Dysphonia (Rock and Performance) www.disfonia.cl/ Kevingleiva.blogspot.com, Who has released two albums to date Hysterical (2009) and Structural Damage (2010)
To share and explore / Monday 3 and Tuesday 4 14:00 to 16:00 hrs.
Guided by Camila Segerous
"INSIDE OUTSIDE"
Guided Research Workshop contact and improvisation as a concept of relationship between interior and exterior of the subject. In that way we move is how we contact with external reality. Intends to get into the possibilities given to the human body in its interaction, investigating the physical principles of movement through organic logic, and exploring through poetry to her intimate body contact with the material that is external to the naked eye being. Tending to the query of communication and contact between foreign and domestic.
How do we connect this with what is?
A game in the world of touch and inherent in establishing contact between bodies and space.
space designed for two consecutive sessions in order to generate a continuation in the slogan and learning.
Segerous Camila, with concerns in the organic movement from the beginning, after studying three years at the center of spiral dance (UAHC) decided to travel to Belgium in search of contemporary dance. There he met Axis syllabus, methodology studying the universal principles of movement, and it is from here that has crept in contemporary dance and contact improvisation as a way of respecting the body dasarrollo and its context. He has studied in Chile, Brazil, Germany, Italy, Belgium and Czech Republic, with personalities of ci and instant composition as Little Nitta, Frey Faust, Keith Hennessy, Martin Kivaldi, Iñaki Aspillaga, Alejandro Cáceres, among others. Currently investigates Aikido (kenkiukay), a search of uprooting dance aesthetic and focus on internal-external contact of the stage. She teaches "organic movement" in the space Nimiku in Santiago.
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